Signature Collection

Anturios

The anthurium is half heart, half straight line —
the meeting of opposites, grown as a flower.

The anthurium is a strange flower. Half of it is pure heart — a broad, round blade that reads as warmth, as the body. The other half is a single straight spadix, rising from the centre like a drawn line. Nature made a flower out of the round and the right angle at once. Lascaux only had to notice, and forge it.

Anturios gathers eighteen anthuriums and twenty-two leaves in hammered bronze, cut and beaten by artisan hands across three sizes so no two catch the light the same way. The hammer leaves its record on every surface — thousands of small blows that turn flat metal into something that holds light like water. Sixteen bronze chains fall from the ring, carrying the flowers and pouring past them, so the piece keeps descending after the last leaf ends.

Two metres of bronze falling from a fifty-centimetre ring. Lit from within, it stops being a chandelier and becomes a season — a flowering caught at the moment it spills. Heavy metal made to look like something about to fall, and held.

The lamp of desire: not for what it illuminates, but for what it wants to become — a garden that chose to hang from the ceiling.

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Anturios Specks 1

Dimensions

Ø 50 cm × L 200 cm · Ø 19.7 in × L 78.7 in

Weight

Materials

Hammered bronze · bronze chain

Application

Pendant light for double-height spaces, stairwells, entrances or over a stair. A vertical, sculptural fixture that reads as a hanging garden of bronze. Requires a ceiling rated for its weight and professional installation.

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The Making Of

Each flower and leaf begins as flat bronze sheet, cut to shape and then hammered by artisan hands — the texture is not applied but beaten in, blow by blow, until the surface breaks light into a thousand points. Eighteen anthuriums, twenty-two leaves in three sizes, each worked individually so the piece never repeats. They are hung from a bronze ring and threaded through sixteen falling chains, arranged so the flowers cluster at the crown and thin as they descend — dense where it meets the ceiling, dissolving toward the floor. The weight is real; the impression is of something weightless, mid-fall.

Cut. Hammer. Fall.